There are an almost infinite number of ways to wrap a string around a set of pegs. On the surface it may seem like a simple concept but prepare to be surprised and delighted at the variety of combinations the algorithm can produce. Each output from 'Ringers' is derived from a unique transaction hash and generated in Javascript in the browser. Feature variations include peg count, sizing, layout, wrap orientation, and a few colorful flourishes for good measure.

Ether

Ringers #919

Ringers by Dmitri Cherniak

Wrapped Ether

Simple and easily identifiable, each squiggle embodies the soul of the Art Blocks platform. Consider each my personal signature as an artist, developer, and tinkerer. Public minting of the Chromie Squiggle is permanently paused. They are now reserved for manual distribution to collectors and community members over a longer period of time. Please visit OpenSea to explore Squiggles available on the secondary market. 

Chromie Squiggle #1046

Chromie Squiggle by Snowfro

These cute companions live 100% on-chain where their bytes are cleverly stored in a scalable vector format. Built with quality components and complex algorithms, each Algobot is issued with a unique serial number and a NIFTY license which permits them to help out on any commercial projects where you might require their assistance.

Algobots #137

Algobots by Stina Jones

CryptoVenetians are the original edition in the CryptoCitizens collection, an ongoing generative portrait series based on real people from communities around the world. Holders of CryptoCitizens are members of the Bright Moments DAO.

CryptoVenetian #638

CryptoVenetian by Bright Moments

Fontana is Latin for fountain. 

This project is a playful attempt at abstractly capturing the flowing movement of a fountain using precisely drawn elements that evoke a static and considered rendering of a subject that is in constant flux. The visual language is reminiscent of hand-draughted technical drawing, a precise and methodical practice that progresses at a radically different pace to the flowing and capricious movement of water. To increase this tension between dynamic motion and static mechanical process I wanted the surface textures to appear worn and aged like a drawing that has spent its life in the bottom of a mechanics drawer. This process of abrasion and discoloration is occurring on yet another scale of time adding complexity to the references of time passing. 

Woven into the very fabric of Fontana is a fully generative solution for creating color expression. This means there is no reliance on preset palettes with every output being an entirely unique color articulation of the color story I want the project to reveal as a whole. Far from being random I attempted to create an approach which produces colors that evoke early 20th Century art and design media. With this intention I wanted  outputs to look like they could be working drawing artifacts from this period of time.

Fontana #95

Fontana by Harvey Rayner | patterndotco

Screens have been at the heart of art mass production and mass consumption for ages. From screen printing techniques, first developed in China around 1000AD and later popularized in western art culture by e.g. Andy Warhol, to the screens on our devices used to consume both digital art as well as most traditional art we experience in our life.

The "Screens" series is a celebration of modern art. It is inspired by the aesthetics inherent in screen printing along with the compositions and colors of both Bauhaus, Constructivism, and pulp fiction sci-fi covers.

The compositions in "Screens" is based purely on strict geometries and plays with the tension, and symphonies that can be created from combining simple rules. The end result can range from chaotic non-figurative to strongly ordered isometric scenes.

The generative system underlying the rendering mimics the screen printing process by rendering and applying a single color at a time to a master image. Each virtual screen may be more or less aligned with the master, creating a lovely flawed balance to the precision of the rendered geometry.

25% of the proceeds from this project will be donated to Den Blå Planet, The Danish National Aquarium, in support of their work on preserving and restoring marine life and ecology.

Screens #83

Screens by Thomas Lin Pedersen

In 2022, as I was experiencing my first year as a father, I was often asking myself what impact I would have on my son, and how much my actions will be part of what will make him “him”. I started a slow introspection on the subject, and at the end of the year, I released “Foundations”, a series that focuses on the origins of our identity.

“Tout tracé” is the second act, and its direct continuity. 
In French, it means *“All mapped out”*, referring to the idea of an all planned future or *“a ready made path”.*

This series is the counterpoint of this vision. 

Life is full of surprises, good or bad, and each moment will have an impact on us, creating our set of experiences, many of them involuntary and embedded in our existence.
As humans, we are in constant evolution and therefore, on a quest of identity; of who we really are.
We are surrounded by expectations : from society, culture, religion, parents, friends, family… A list of rules that need to be followed and lived by; but, at the end of the day, I believe that only our choices matter.

Like “Foundations”, the composition of “Tout tracé” is grid based: full of boxes expected to be filled.
But this series is about growth, evolution, expression and re-definition. It’s about fighting against the structure in place, finding our own voice and re-shaping our reality.
It is finding its uniqueness and identity that will be revealed through the millions of lines drawing each artwork, technically signing the idea of “Tout tracé”, that comes with a double meaning: *“All drawn”*.


--
- **Press ‘S’** to export a still image.
- **Press ‘H’** to open a new tab of the artwork in HD (A3 format).

-- 

Opening one output in fullscreen or in live view will run an animation revealing the artwork.

Tout tracé #102

Tout tracé by Florian Zumbrunn

"Edifice" is a series of 976 massive, deteriorating structures built on strange terrain. It is an exploration of buildings being conceptualized, constructed, and eroded away under a wide variety of conditions. Edifice's outputs run the gamut between minimal and maximal, with some showing few large, static blocks of color, and others many small, highly textured and warped shapes. Each image is progressively constructed in front of the viewer's eyes. It is a system full of surprises that I'm excited to share with the world.

Edifice #453

Edifice by Ben Kovach

*FAKE IT TILL YOU MAKE IT* borrows from the bubbly language and pastel aesthetics of text driven instagram graphics to scrutinize the promotion of wellness, self-care, and confidence on social media.

The piece concentrates on the rhetoric employed in these posts. Persuasive, upbeat, and relentlessly inspirational, there’s a sense of authority embedded in each one. By remixing words and phrases sourced from these types of existing instagram posts, the program generates combinations that mimic their cheerful tone, but range from feeling vaguely familiar to totally absurd. 

Text is wrapped in the sugar cookie aesthetic world of “girl power positive vibes boss babe” kind of media, imitating the graphics designed to catch your eye as you’re scrolling through your feed. Visual variables include the output’s background style, color palette, and layout, as well as other decorative elements such as stars ✹, hearts ♡, flowers ✿, and sparkles ✧ :D

Online, these media objects survive on likes, comments, and shares. *What do I believe?* becomes *What do I want to appear to believe?* Fake it till you make it! Maybe your dream life lives here: In a digital, fantasy world where the algorithm plays god and loving yourself feels like looking into the light of your screen.

ଘ(੭ˊᵕˋ)੭* ੈ✩‧₊♡ ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ

FAKE IT TILL YOU MAKE IT #484

FAKE IT TILL YOU MAKE IT by Maya Man

This project is a visual representation of realities that are out of phase. Interference patterns, colorful echoes, and emerging secrets are explored. Mathematical functions produce constant motion, but rarely, a peaceful scene resolves within the chaos. Click or press any key to pause. *Photosensitive seizure warning: These artworks contain flashing colors and moving patterns.

phase #779

phase by Loren Bednar

Lines are bent and shaded. There are no wrong turns. 

[Interaction in live view: press 1-7 or left/right arrow keys to see the stages of sketch construction: 1-grid, 2-divide, 3-tile, 4-bend, 5-shade, 6-color, 7-texture].

Bent #663

Bent by ippsketch

**Running Moon** depicts the nuanced interaction between clouds and moonlight. It is a search for boundaries between structure and fluidity, precision and errors. It is a quest for harmony. 

The rendering of **Running Moon** is inspired by stained glass and watercolor. It captures the sharpness of the glass and the softness of light using abstract forms. As organic shapes gradually expand to fill the space, brush-pen-like stripes solder these pieces together to form intricate compositions.

Running Moon #334

Running Moon by Licia He

```
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░

 ██▀███   ▄▄▄        ██████ ▄▄▄█████▓▓█████  ██▀███  
▓██ ▒ ██▒▒████▄    ▒██    ▒ ▓  ██▒ ▓▒▓█   ▀ ▓██ ▒ ██▒
▓██ ░▄█ ▒▒██  ▀█▄  ░ ▓██▄   ▒ ▓██░ ▒░▒███   ▓██ ░▄█ ▒
▒██▀▀█▄  ░██▄▄▄▄██   ▒   ██▒░ ▓██▓ ░ ▒▓█  ▄ ▒██▀▀█▄  
░██▓ ▒██▒ ▓█   ▓██▒▒██████▒▒  ▒██▒ ░ ░▒████▒░██▓ ▒██▒
░ ▒▓ ░▒▓░ ▒▒   ▓▒█░▒ ▒▓▒ ▒ ░  ▒ ░░   ░░ ▒░ ░░ ▒▓ ░▒▓░
  ░▒ ░ ▒░  ▒   ▒▒ ░░ ░▒  ░ ░    ░     ░ ░  ░  ░▒ ░ ▒░
                                              
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
```

*Screens no longer only frame and display virtual spacetime. Connected together and surrounding us on all sides, their framings and displays have also opened, activated, and added another spatiotemporal dimension to the four in which all of us live.*
—Vivian Sobchack, *From Screen-Scape to Screen-Sphere: A Meditation in Medias Res*

An exploration of a technical concept I call "pixel overpainting."

Rasterized procedural brush strokes with low transparency slowly layer themselves over each other in a rhythmic loop until they achieve colorful equilibrium. They continue to overpaint themselves endlessly. The resulting color mixtures are then quantized and dithered to separate them into patches of pixels that recall the discrete materiality of the screen: a strictly digital variation on color field painting. The resulting texture is not a skeuomorphic grain but an overt reference to the universe of screens that surround us every day. Electric light arranged in a grid, fluttering and flickering everywhere all the time.

Please allow a few minutes for the colors to reach equilibrium.
For best results use Chrome browser with enabled webGL and hardware acceleration. Though it is encouraged to explore the subtleties in viewing the same pixels on different hardware and software to reflect on the subjectivity of contemporary computer graphics and the materiality of CPUs, GPUs, resolutions, pixel densities, browser APIs, and other medium-specific entropy.

Press '1', '2', '4', '8' to change pixel sizes.
Press 'p' or click canvas to pause/resume.
Press 's' to grab a still frame.
Press 'r' to re-paint.

Collectors will be eligible to receive a signed giclée print of a still frame of their mint as well as high-resolution looping media in GIF or lossless video format.
```
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
```

RASTER #58

RASTER by itsgalo

__*Implications*__ explores the symmetry of a chaotic system in motion. Each output contains a selection of geometric shapes that slide, twist, and resize over time. Their intersections divide the canvas into two regions, each with its own set of rules for generating mathematical textures. As predictable geometry and chaotic automata intersect and evolve, a variety of organic and artificial patterns emerge. Gradually, the colors and rules shift, and new forms appear. Through a series of carefully reflected changes, symmetry persists.

Each animation is constructed from large virtual pixels. By varying their scale, spacing, and alignment a variety of patterns are generated — ranging from a pixel art aesthetic to one with softer, larger-scale structures. Where does a tiny pixel end, and the emergent whole it’s a part of begin?

Building on the foundation laid in __*mono no aware*__ and __*Zoologic*__, __*Implications*__ continues the work of making the beautiful complexity of cellular automata visible and accessible. New techniques for optimization, color generation, and constraint selection -- along with simplifications to features and interactive controls -- place focus squarely on an endless and compelling animated experience.

__*Implications*__ is a meditative work best experienced over the course of at least a few minutes. Put on some music, full-screen the live view, and enjoy the show! What sorts of symmetry do you see? What sorts of shapes and textures are there, and how do they move? For viewers who would like to customize the detail level, frame rate, and other aspects of the viewing experience, press **[H]** to open a menu describing the available keyboard controls.

Implications #125

Implications by ixnayokay

Perfectly symmetric - imperfectly drawn. Exploring the contrast between precision and chance in a playful spacecraft / papercraft setting. 

Paper Armada #1149

Paper Armada by Kjetil Golid

One day in 1991, I went swimming in a lake. Going out to the deepest point where I could still tippy-toe touch, I felt a large, smooth rock with my feet. I could barely dig it out and bring it to the surface. [That rock](https://express.adobe.com/page/yTCRoiQjChyRe/#rock) is still with me. I once thought I lost it. Six months later, I found it in the trunk of my car. I threw a party to celebrate its return, but it was just us two.

The rocks you see here are not my rock. They are not rocks. They are not even images of rocks. They're code. But does that matter? If I were to show and ask you "What is this?", you'd probably say "It's a rock". So then, what is it? The title and imagery borrow from René Magritte's paintings [Treachery of Images](https://en.wikipedia.org/wiki/The_Treachery_of_Images) and [The Castle of the Pyrenees](https://en.wikipedia.org/wiki/The_Castle_of_the_Pyrenees). Like those paintings, *This is Not a Rock* acts as a gateway to introspection and encourages the viewer to question what they are looking at while thinking about the interplay between object, representation, and truth.

*This is Not a Rock* continues my exploration into Quines (software which outputs its own source code). In the scene, a large rock hovers, defying gravity. Behind the rock, a backdrop of computer code; combining the digital and the physical. The code you see is is the actual code used to generate the scene. It is all created inside a single-pass fragment shader with Javascript and GLSL, and rendered using a technique called Raymarching.

Keyboard Commands:
Press [L] to save an image.
Press [Z] to zoom in/out.

This Is Not A Rock #74

This Is Not A Rock by Nicole Vella

Ancient Courses is a generative experience that explores the aesthetics of meandering rivers and the settlements that form on their banks. The design is graphic and cartographic with bold color palettes rendered against map iconography and line sensibility. From the river banks, roads stretch across the landscape: sometimes a single access road, other times sprawling towns. The river meandering is simulated via a custom algorithm which closely models the real world process.

Press 'r' to reset the simulation.
Press 's' to save an image to disk.
Press 'h' to re-run the simulation at print res. This is significantly slower than the default screen res version. The progress bar at the bottom of the screen shows how long before the print-res image is automatically saved to disk.

A limited number of Ancient Courses mints will come with a Treasure Map feature. The owner can request a physical print (max one print per treasure map).

Best viewed on Chrome, Firefox, or Safari.

Ancient Courses of Fictional Rivers #993

Ancient Courses of Fictional Rivers by Robert Hodgin

Blaschke Ballet is a reflection on movement, color, and mathematics - a juxtaposition of graceful motion and precise calculation. Observe the elegant ballerinas as they leap through the complex plane, the space between them constantly collapsing and reassembling.

Blaschke Ballet #97

Blaschke Ballet by NumbersInMotion

Rapture is a series exploring magical seals overflowing their boundaries, gradually dissolving into the surroundings. It is imagined as abstract iconography for a fictional mystic religion. Rapture is the conclusion of a system I have been working with and perfecting over several years and it is the first time that it is presented completely autonomous. The series consists of computationally heavy art pieces, with calculations happening while the seal shake to contain its powers. 25% of the proceeds from this project will go to the preservation of the Ecuadorian rainforest Bigai through Randers Rainforest Wildlife Foundation.

Rapture #621

Rapture by Thomas Lin Pedersen

_Bakhoor Assandal is released as part of reGEN, a special charitable auction of generative art to raise funds for Cure Alzheimer’s Fund, curated by Alex Estorick and Foteini Valeonti in collaboration with The Giving Block._

I said [I won’t forget Sudan.](https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/366)
I had no idea what that would mean.
That, for now, all we have left of our home in Sudan is our memories.

The broken system officially broke,
And the people took the broken roads right out of town.

Were the ladies dressed in bright colors and patterns as they escaped to the sound of bombing?
When a Sudanese home goes up in smoke does it smell like sandalwood incense?
Do the walls covered in hopeful graffiti still stand?
Does the mango tree still bear fruit, and does it remember our family?

Has the war reached the school we built? Do the walls still stand?
How many years will it be before the school system reopens?
Will the idea that a school would be used for ... school … 
be a mere memory of a good intention?

When the rebel army broke into our abandoned home,
Ransacked everything the Sudanese part of our family owns,
Then went upstairs, and found the beginnings of a learning center,
Intended to giving young bright Sudanese people a window into the world of blockchain and AI,
Any chance they didn’t steal everything?
Or is our learning center ... a mere memory ... of a good intention?

When the rebel army chose to live in our abandoned home for a term,
Did they feel and sense our memory echoing off the walls?
If we are ever able to return, will we feel and sense the memory of them?

If my niece-in-law (who is two –– or maybe three now) has already forgotten the anthem,
and refers to the family home as the “house of shooting,”
what does that mean for the future of Sudan?

If all the displaced Sudanese people are able to hold onto their memories,
treasure them, and someday bring them back to Omdurman,
Can Sudan be regenerated ... like a forest after a wildfire ...
perhaps stronger and less broken than it was before?

~

_Bakhoor Assandal_ is an animated generative series made in JavaScript and GLSL. The name refers to the incense made from sandalwood that is common in Sudan. While sandaliya is the oil of sandalwood used as perfume, Bakhoor Assandal is the incense, burned on coals, made from the same wood. One could say it is the same substance gone up in smoke.

This project is a continuation of _Sandaliya_, a series that interweaves personal memories and familial connections in Sudan against the growing conflict. In April 2023, a civil war ignited, and many were forced to evacuate. _Bakhoor Assandal_ uses JavaScript and GLSL to create outputs in constant disarray. With a particular focus on movement, the algorithm builds layer by layer, with each pixel in perpetual shift, never replicating its past form –– a testament to life’s relentless change. Like the ephemeral smoke of burning incense, we must embrace the flow, knowing we will remember the scent.


**_Notes_**

Experience it in real time: click or press the spacebar to toggle the animation. In live mode, the visual dynamically adjusts to your window. To modulate speed in live mode, append “?speed=X” at the end of the URL, where “X” is your desired multiple. For example: “?speed=0.5” for half speed.

Bakhoor Assandal #42

Bakhoor Assandal by Melissa Wiederrecht

triskelion key

HoneyJar Gen 4

BNV is airdropping up to 100 million Fa$h tokens to as many as 1 million
eligible wallets as part of the season Zero airdrop.Calling all
Visionaries and Pioneers who value digital self-expression, style and
sustainability. Join the BNV Foundation and help us build the Future of Fashion.

Fa$h Coupon v2 #26541

Fa$h Coupons by BNV

This is the great artifact of Mibera Lore. If you own a piece, you might get rewarded generously. Mibera. Mibera. Mibera.

Honey Road Set Four

Mibera Sets

Autobot #23

Autobot

"Dope Wars is a fully decentralized community driven play-to-earn gaming metaverse project inspired by hip-hop culture."

Paper

Bronze Chain

Dope Wars Gear

RetroPGF #961

RetroPGF

"Bored Town is a collection of 5555 Bored Town Monsters living on the Optimism blockchain. Created by sorryvrerror a Thai NFT artist. Bored Town holders have the chance to create derivative work whatever they put their mind to both for personal and commercial purposes under CC BY-SA terms. Holders please join https://guild.xyz/boredtown to get your role on Bored Town Discord and be eligible for giveaway raffles."

Bored Town #1149

Bored Town

Optimistic Bunnies is the 1st NFT collection on Ethereum Optimism network.  The bunnies are exploring the Optimism ecosystem through a series of weekly learn and earn quests with a 20k OP reward pool.  Find out more on our twitter and discord

Minting is open at https://www.optiland.xyz

Join our learn and earn quests here https://app.questn.com/opbunnies

Bunny#3977

Optimistic Bunnies

Mirror Zorb 8192

Mirror Zorb

'The Papillons emerge as symbols of enduring hope and the unbreakable human spirit.
With wings that whisper tales of resilience, they showcase the power of unity and the strength found in the collective struggle for freedom. Their journey, marked by the courage to break free from the chains of enslavement, serves as a profound reminder of our own capacity to overcome adversity. It's a call to all of humanity to band together, to rise above our trials, and to forge a future where liberty and harmony flourish for every soul. And knowing that even when we walk through shadows, we'll find the light on the other side."

Written, performed, co-produced by TK. 
produced by Trey Smith. 

On The Other Side (w/ Trey Smith)

TK - On The Other Side (w/ Trey Smith)

Layer3 CUBE (Credential to Unify Blockchain Events) is a multichain credential standard for attesting digital experiences across DeFi, NFTs, gaming, social and more. Built for expansive use, CUBE enables seamless integration and data analysis across the ever-evolving world of crypto.

Blueprint: Shavonne Wong #5

Layer3 CUBE

Created by Optimism Collective on Sound. Leave a comment on the song at https://www.sound.xyz/optimism/v-buterin

V Buterin

Optimism Collective - V Buterin

Our First Chapter — NPC Beras NFT Launch


Alchemix Academy: alUSD on OP Mainnet

Alchemix Academy: Elements of DeFi Mastery

NEKO  WORLD iD PASSPORT (NIKO) is a Bonding Curved ERC-1155 token created on mint.club.

Backed by Wrapped Ether (WETH) on Optimism chain.

https://mint.club/nft/optimism/NIKO

NEKO  WORLD iD PASSPORT

Lady Greatness

Fall of Sybils

Event 1

10 Collection

Flux

Honeypot Finance is building a community-run DeFi Hub that integrates a unique AMM model to unite a community-led launchpad and DEX, addressing Defi's low liquidity utilization issues.

HoneyGenesis #3502

HoneyGenesis

The Proof of Junkie NFT collection is only for the realest junkies and stoners by Junky Ursas - the premier GambleFi protocol on Berachain.
https://x.com/JunkyUrsas

The Proof of Junkie #632

The Proof of Junkie

Hungrybera is a collection of 7,500 unique generative NFTs owned by the founding members of Ramen Finance. Launching soon on Berachain: https://ramen.finance. 

Hungrybera #1908

Hungrybera

Rare Writ of Passage

WritOfPassage

[NOW ON-CHAIN -- MIGRATE YOUR LEGACY SMOLS AT https://legacy.smolverse.lol/migration] The Smol Brains are a dynamic PFP of a monkey whose head gets bigger the larger its IQ becomes.

Smol #10183

Smol Brains

Perks aggregator for the Berachain ecosystem, and a ridiculously Yeetarded jpeg

Yeetard #169

Yeetard NFTs

Tour de Berance is a collection of 6,900 unique beras on bikes racing for liquidity on Arbitrum. Tour de Berance NFTs will offer unique utility on the Beradrome DEX on Berachain. Mint yours now or be forever left behind in the dust of tracking racing beras! Note: Tour de Berance are backed by an asset at Gumball Protocol $drom

Tour de Berance #5195

Tour de Berance

A Defi NFT. Proof of Liquidity for Dummies, fueled by multi-chain liquidity Brought to you by the same team building Vase Finance, Booga Beras are a perfect way to start exploring the Berachain ecosystem! Booga Beras will receive rewards from multiple sources, including Cosmos Validators, a Berachain Validator, Liquid Staked Token fees and several other products deployed under the BB brand. This turns your BB into yield-bearing NFT. It's essentially a Defi derivative with the face of a Bera. All you need to do is hold the JPEG and get rewarded, Simple.

Booga Beras #3367

Booga Beras

2024

Verification

Smilee Beras #1351

Smilee Beras

Take and Give 

The Beacon NFTs

F2P action roguelite RPG, in development. Venture into dungeons, defeat evils & expand the Beacon's light!

Null Stone

The Beacon

Kuroro Origin Beasts

ZTX is a web3 virtual world empowering creators and communities. ZTX is building an immersive 3D open-world platform where users can enjoy social interactions, engage in games, and participate in governance and economics when creating and selling digital assets in the virtual realm. 

The ZTX Genesis Home Mint is the first-ever NFT collection to be released by ZTX. Minting on Arbitrum, the collection consists of 4,000 bespoke 3D-rendered District Homes, immersive and multilayered in-game assets that will serve as your home in ZTX.

Genesis Home #521

ZTX Genesis Homes

The Bearet Yellens

Uncommon Booster

WOOFi Boosters

PeBera #137

PeBera

Big Fat Beras by Beraborrow. 

A 6,900 collection of the biggest and fattest Beras. 

Ooga Matata.

https://x.com/beraborrow
https://beraborrow.com/
https://discord.com/invite/beraborrowofficial

Big Fat Beras #5106

Big Fat Beras

### Overview
Crystal is the Genesis NFT of the Crystal Fun ecosystem, also serving as the platform’s equity NFT.
Crystal is divided into three levels: Pure Crystal, Passion Crystal, Dream Crystal, with rarity increasing gradually.
Crystal will be launched on Arbitrum, with a total supply of 5000.

### Allocation
4225 Crystal NFTs will be directly allocated to Spaceship NFT staking users.
An additional 775 will enter the Crystal Fun ecosystem treasury for future use as rewards for marketing activities and community contributions.

### Empowerment
-Receive airdrops within the Crystal Fun ecosystem.
-Stake Crystal NFTs for mining $CFUN tokens.
-Priority access to future NFT minting qualifications within the Crystal Fun ecosystem.
-Qualify for whitelist access to future game testing under Crystal Fun.
Obtain special roles in the Discord community.

Crystal

The blocmates LARP Collective is a range of NFTs with five variations of primates, all representative of the core ethos and personality that underlines the blocmates brand. Ownership of a LARP NFT grants holders keys to ‘The blocmates Pro Section’ on blocmates.com, exclusive discord access, and a host of additional perks.

Art Blocks By Volume